Livengood Studio

The biggest part of my grant was to cover the cost of a multi-process welder that would allow me to cut and weld larger steel for a public type sculpture. I did a lot of research and decided on one from PrimeWeld (due to the reviews about their customer service and a 3 year warranty). I ordered my PrimeWeld CT520D multi-process welder from PrimeWeld on December 13, 2020. Received my welder 12/16/2020. (See box opening and assembly below in previous post.) Then it rained. Then it snowed. Then it got really cold.

My welding yard is an roofed shed off the back of my home. I finally got it out on December 30 and tried it out. I had some minor problems and called PrimeWeld. I got someone on the phone right away. They put me in contact with George’s Plasma Cutter And Welder Repair Shop. George walked me through my questions and shazam the plasma torch worked beautifully. The reviews I read about PrimeWeld were true. Great customer service!!

I made my first test cut through stainless steel . Now I just need to design a sculpture and build it. What could go wrong? How hard could it be?

This project was supported by the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources.

Thank you, thank you, thank you, North Carolina Arts Council and Haywood County Arts Council for awarding me one of the Artist Support Grants. It will expand my artistic reach to larger works. Two years ago a similar grant got me on the road to sculpture.

Few Americans visit art museums or galleries, even fewer own or consider buying art. They might see photos of art, but not the “real thing”. The only art most Americans interact with is public art. My project is to create a public art sculpture. The funds will be used to purchase a multi-process welder/plasma cutter, necessary electrical power upgrades, supplies and materials.

The goal of the project is to experiment with juxtaposition. I will be exploring the contrast of balance and asymmetry, by employing contrasting surfaces, reflectiveness, and textures.

This project was supported by the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources.

I told my sister I got a grant to do a public sculpture. She asked some questions:
“What will it be made out of?”
“How big is it?”
“Where does it go?”

All good questions. I said:
“Steel and stuff.”
“Bigger than a breadbox, smaller than an aircraft carrier.”
“To a good home.”

None of these things are really important. If it was a commission, it should fit with the environment. Since it is right now just for me and mine, I can make it anyway I want.

Oh Boy. Now what!

Here is a piece I sold in 2019 that I may use as an inspiration. Different size, different materials, different base. You know an inspiration, not just a bigger copy.

This project was supported by the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources.

Wow!! Who would have thought? I applied for a North Carolina Artist Support Grant in September. I’ve was notified that I received the grant to make a public art sculpture. O’boy, now what do I do? Pardon my formal dress, I was at a dinner party when I heard.

This project was supported by the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources.

Latest clock. A friend was cleaning out her barn and brought me a pile of rough cut lumber. There was some walnut and oak. The oak was thin, so I had to be creative with how to use it. I used it for the layered face and highlights/inlays. The walnut for the “legs” was slightly warped. Taking a lesson from Bill Gates, it became a feature not a bug.

I made this several years ago, but could not get a good picture of it to save my life.  We finally moved it to out front of our house and gave her red claws.  Then we got an OK picture.  She is about 5′ x 3+’ x  2′.  She is made of steel rebar and sheet steel with some red paint.  This is my second Nasty Woman.  The first one was a 90 birthday gift for my mother.  Here is the old picture.  It show more of her, but lacks pizazz.

This is a woven steel wall clock.  It is 14″ by 14″ by 1.5″.  It is made of baltic plywood, rusted steel roofing strips, and clock works.  I liked the Woven Steel Grandfather Clock enough that I thought a smaller version was called for.

I made this for my mother’s 92 birthday.  It sits in front of her house next to my first “Nasty Woman” sculpture.  It is made rebar, sheet steel and horseshoes.   It is about 5′ tall and 4′ across.

I’ve finally gotten around to rephotographing my Steel Warp & Weft Woven steel and cedar grandfather clock with the clock works installed.  Now it has hands.